Justine Aronson, Soprano
Hailed by The New York Times as possessing "a deep reservoir of expressive devices" and by the Los Angeles Times as "dramatically and gratifyingly juicy," soprano Justine Aronson’s repertoire spans the traditional and the contemporary, having premiered works by David Lang, William Kraft, Aaron Jay Kernis, Thomas Pasatieri, Fred Hersch, among many others. Highlights of recent engagements include performances at the LA Phil's Green Umbrella series, Opera Philadelphia, Beth Morrison Projects, National Sawdust, Bang on a Can Summer Festival, Bard Music Festival, The String Orchestra of Brooklyn, the Westminster Summer Festival, Metropolitan Opera Guild, Pacific Opera Project, and her debut with the LA Philharmonic at the Hollywood Bowl. She is featured on two upcoming commercial record releases: Christopher Cerrone's portrait album with wild Up and a Daron Hagen portrait album with the Lyric Fest of Philadelphia on the NAXOS label. Aronson also premiered the role of Bonnie in Andrew McIntosh's new opera Bonnie and Clyde with LA experimental opera company, The Industry. Along with Sarah Goldfeather, she is one half of the bi-coastal voice-violin duo CIPHER, which champions new works by female composers. Justine divides her time between New York and Los Angeles, where she makes a home with her fiancé and collaborator, pianist Richard Valitutto, and their two small dogs, Hennie and Dingo. www.justinearonson.com
Mireille Asselin, Soprano
A singer deemed “Superb” by the Los Angeles Times, soprano Mireille Asselin is a young artist at the onset of an exciting career. In December 2015, Mireille filled in last minute as Adele for opening night of Die Fledermaus at the Metropolitan Opera led by James Levine. The 2016-17 season marked Asselin’s fourth season at the Metropolitan Opera, in which she debuted as Poussette in Manon, Jemmy in Guillaume Tell, and Rosina in Il Barbiere Di Siviglia. Recent highlights also include return engagements with Opera Atelier, the Royal Opera of the Palace of Versailles and debuts with the Minnesota Orchestra in Handel’s Messiah with the Handel and Haydn Society singing Iris in Semele. Asselin has also performed with the Ash Lawn Opera, Wolf Trap Opera Frasquita, and Glimmerglass Festival. As an interpreter of early music, Asselin appears regularly with Opera Atelier in Toronto and the Boston Early Music Festival, and in 2016 performed at the Göttingen International Handel Festival in Germany. In 2013, she released her debut album Ash Roses on the Centrediscs label. Asselin made her Carnegie Hall debut singing Vaughan Williams’ Dona Nobis Pacem in 2011 and starred as Pamina in the feature film Magic Flute Diaries. Asselin obtained her Master of Music from Yale University and her Bachelor of Music at the Glenn Gould School of The Royal Conservatory of Music in Toronto. She has been a young artist with the Canadian Opera Company’s Ensemble Studio (2011-2013), Glimmerglass Festival (2012), Opera NUOVA (2008) and Centro Studi Lirica (2005), has studied art song at Toronto Summer Music (2011), Handel oratorio at the Britten-Pears Programme (2008 & 2010), baroque music at the Tafelmusik Baroque Summer Institute (2007) and contemporary vocal music with Queen of Puddings Summer Music Theatre (2007). www.mireilleasselin.com
Jesse Blumberg, Baritone
Baritone Jesse Blumberg enjoys a busy schedule of opera, concerts, and recitals, performing repertoire from the Renaissance and Baroque to the 20th and 21st centuries. His performances have included the world premiere of The Grapes of Wrath at Minnesota Opera, Bernstein’s MASS at London’s Royal Festival Hall, various productions with Boston Early Music Festival, and featured roles with Atlanta Opera, Pittsburgh Opera, Utah Opera, and Boston Lyric Opera. Recital highlights include appearances with the Marilyn Horne Foundation, New York Festival of Song, and Mirror Visions Ensemble. He has performed major concert works with American Bach Soloists, Los Angeles Master Chorale, Boston Baroque, Oratorio Society of New York, Apollo’s Fire, and on Lincoln Center’s American Songbook series. Jesse has been featured on over fifteen commercial recordings, including Schubert's Winterreise with pianist Martin Katz and the 2015 Grammy-winning Charpentier Chamber Operas with Boston Early Music Festival. He has been recognized in several competitions, and was awarded Third Prize at the 2008 International Robert Schumann Competition in Zwickau, becoming its first American prizewinner in over thirty years. Jesse holds degrees from the University of Michigan and the University of Cincinnati College-Conservatory of Music, and is also the founder of Five Boroughs Music Festival in New York City. www.jesseblumberg.com
Mischa Bouvier, Baritone
Baritone Mischa Bouvier has appeared with many leading orchestras and ensembles including Orchestra of St. Luke’s at Stern Auditorium and the New York Live Arts Theater, New York Festival of Song, the Folger Consort, Sting at Disney Hall, Musica Sacra at Lincoln Center, the Princeton Glee Club, the Boston Symphony Orchestra at Tanglewood, El Festival Casals de Puerto Rico, the Five Boroughs Music Festival, the Boston Pops at Symphony Hall, the Metropolis Ensemble, Christopher Williams Dance, the Colorado Symphony Orchestra, the New Mexico Symphony Orchestra, Anonymous 4, Bronx Opera, the Alabama Symphony Orchestra, the Columbus Symphony Orchestra, Opera in the Heights, Musica Sacra Maastricht, the Stamford Symphony, Mark Morris Dance Group at Seiji Ozawa Hall, the American Bach Soloists, the Lysander Piano Trio, and The Knights, and has offered recitals throughout the United States and in Asia. Mischa’s upcoming season includes debuts with ACRONYM and Apollo’s Fire, returns to Bach Collegium San Diego and TENET, and recitals throughout the US. www.mischabouvier.com
Gary Chapman, Piano
Pianist Gary Chapman has appeared as soloist with the Hartford and New Haven Symphonies, the Connecticut Orchestra at Summer Music, Eastern Connecticut Symphony, and Orchestra New England. He has also appeared as a collaborative pianist at the Spoleto USA Festival, the 92nd Street Y, Merkin Hall, the National Gallery of Art in Washington, D.C., Yale at Norfolk, the Chamber Music Society at Yale, Music Mountain, the Arizona Friends of Chamber Music in Tuscon, AZ, and in Europe at Wigmore Hall in London, the Salle Cortot and American Embassy in Paris, the Pyramid in Tirane, Albania, and at colleges and universites throughout the US. He has toured with soprano Dawn Upshaw, baritone Richard Lalli, and recorded the companion compact disc with Mr. Lalli for the book, Listening to Classic American Popular Songs, featuring Mr. Chapman's arrangements, published by the Yale University Press.
A pianist noted for his versatility in many genres, Mr. Chapman has performed as guest pianist with Musical Elements and Sequitur in New York, played solo piano and chamber music of Pierre Boulez under the supervision of the composer, and co-commissioned and premiered music by the composer/pianist Roger Kellaway. He remains in demand as a keyboard player in all styles, frequently on synthesizers with national Broadway touring productions. He is also a founding member of Elite Syncopation, a group devoted to the performance of ragtime and early jazz. Mr. Chapman's orchestral arrangements of the music of the Gershwins were featured in Pardon My English: a Portrait of the Gershwins, performed by Orchestra New England with Mr. Chapman as piano soloist/arranger in March of 2007. He is the co-director of the music series, Sundays in the Parlor at Park, and appears frequently at the Hop River Chamber Music Festival where he currently serves as Program Director. Mr. Chapman studied piano with Paul Jacobs, Nadia Boulanger, Virginia-Gene Rittenhouse, and composition with Arnold Franchetti. He has recorded for the CRS and Centaur labels. Originally from East Lyme, he is a 1977 graduate of the Hartt School and lives in Norwich. He is also a proud member of the Mohegan Tribe.
Alan Darling, Piano
Scottish pianist Alan Darling has performed recitals throughout Europe, Canada, and the United States, collaborating with artists such as Jamie Barton, Nicole Cabell, Christiane Karg, Brandon Jovanovich, Amanda Majeski, Susanna Phillips, Matthew Polenzani, Samuel Ramey, and Amber Wagner. From 1993-200, he performed more than fifty song recitals at Ravinia’s Steans Musical Institute. Mr. Darling has premiered new works for voice and piano by Christopher Berg, Tom Cipullo, Russell Platt, and Scott Wheeler with the Mirror Visions Ensemble. He is the founder of the ensemble (no tiny birds), a group that is dedicated to re-thinking the presentation of art song recitals. He was an assistant conductor at Lyric Opera of Chicago for several seasons and worked closely with Maestro Bruno Bartoletti and Sir Andrew Davis. Mr. Darling taught at Yale University from 1993 to 1998 and is currently on the faculty at Northwestern University, where he is principal opera coach and teaches classes in American, English, French, German, Italian, Russia, and Spanish song repertoire. He teaches at Lyric Opera of Chicago’s Ryan Opera Center and is a master coach at San Francisco Opera’s Merola Opera Program.
Margaret Kampmeier, Piano
Pianist Margaret Kampmeier enjoys a varied career as soloist, collaborative artist and educator. Equally fluent in classical and contemporary repertoire, she has concertized and recorded extensively. In addition to Mirror Visions Ensemble, Kampmeier has appeared with the St. Petersburg Chamber Philharmonic, New York Philharmonic Ensembles, Kronos Quartet, Saratoga Chamber Players, Sherman Chamber Ensemble, Richardson Chamber Players, and the Locrian Chamber Players. As orchestral keyboardist, she performs regularly with the Orchestra of St. Luke’s, and is a frequent guest of the New York Philharmonic, American Composers Orchestra and Orpheus Chamber Orchestra. As a recording artist, she can be heard on the Albany, Centaur, CRI, Koch, Nonesuch, and Bridge labels. Kampmeier teaches piano and chamber music at Princeton University, and is currently Chair and Artistic Director of the Contemporary Performance Program at the Manhattan School of Music. She graduated from the Eastman School of Music, where she studied with Barry Snyder. She pursued graduate studies with Gilbert Kalish at SUNY Stony Brook, receiving both Master’s and Doctoral Degrees. A native of Rochester, NY, Ms. Kampmeier resides currently in New York City.
Abigail Levis, Mezzo-Soprano
Named "Debut Artist of the Year" by the Joy in Singing Foundation, Abigail Levis is one of the most exciting young singers of today. Ms. Levis’ passion for vocal music has been continuously nurtured throughout her life - singing Irish folk music with her father and Patsy Cline tunes at county fairs with her mentor, Tom Dyhrberg. She began classical training at the age of 15 and, after reading Opera for Dummies, became a die-hard opera fan. As a professional singer, Ms. Levis has appeared as a soloist with the Toronto Symphony, Portland Baroque Orchestra, Cincinnati Symphony, Flint Symphony, Symphonie Atlantique, American Symphony Orchestra, Utah Symphony, Ars Lyrica Houston and the Handel and Haydn Society. She is also a prize -winner of several competitions, including the 2017 Klaudia Taev Competition, 2016 Opera Foundation Competition, 2015 Metropolitan Opera Auditions, the 2015/2016 Gerda Lissner Competitons (Song and Opera), the 2014 Luis Mariano Song Competition, the 2014 Wilhelm Stenhammer Competition, the 2014 James Toland Vocal Arts Competition, the 2013 Classical Singer Competition, and the 2013 Lyndon Woodside Oratorio Competition. In 2013, she was also awarded a Career Bridges Grant from the Schuyler Foundation. The season Ms. Levis performs with the Philharmonia Baroque in San Francisco, Opera Philadelphia, Dallas Opera, and Opera Parallele as well as a return to her home company, Utah Opera. She has worked closely with composers such as John Harbison, John Musto, Brian Suits, Tamzin Elliot, Juliana Hall, and Michael Hirsch. Ms. Levis holds degrees from the Eastman School of Music, the Moores School of Music at the University of Houston, and Bard College Conservatory. While a Young Artist, she performed with Los Angeles Opera, Wolf Trap Opera, Utah Opera/Utah Symphony, The Britten-Pears Young Artist Program, The Crested Butte Music Festival, Opera New Jersey, and Songfest. www.abigaillevis.com
Scott Murphree, Tenor
Tenor Scott Murphree is a distinguished singer of the concert, recital and opera stage. In addition to specializing in traditional opera repertoire, he has also created roles in several world premieres of operas including Allan Jaffee’s Mary Shelley, Christopher Berg’s Cymbeline, and Tina Davison’s Billy and Zelda. Highlights of recent engagements include performances with Central City Opera, Glimmerglass Opera, Des Moines Metro Opera, Opera Delaware. Utah Opera, Opera Delaware, Nevada Opera, Orpheus Chamber Orchestra, American Symphony Orchestra, Atlantic Chamber Orchestra, New York Festival of Song, Five Boroughs Music Festival, Carnegie Hall’s Weill Recital Hall, Alice Tully Hall, 92nd Street Y, Walter Reade Theater, Town Hall in Seattle, Eos Orchestra, Sioux City Symphony, Southeast Texas Symphony, Cape May Music Festival, Aspen Music Festival and Pacific Music Festival in Japan. He has worked closely with composers such as Ned Rorem, Ricky Ian Gordon, Robert Beaser and Richard Hundley, and has premiered songs written especially for him by Yehudi Wyner, Tom Cipullo, Richard Pearson Thomas and Christopher Berg. Murphree has served on the voice faculties of the University of Connecticut and the Yale School of Drama and currently serves as an adjunct professor on the voice faculty in the Steinhardt School at New York University. Murphree received his B.M. from the University of North Texas, his M.M. from Yale University, and his D.M.A. from State University of New York at Stony Brook.
Grant Wenaus, Piano
Grant Wenaus is the former Director of Piano Collaborative Piano Studies at NYU, where he has conducted productions including The Magic Flute, L'enfant et les sortilèges, Dido and Aeneas, Orpheus in the Underworld, The Merry Widow, Ragtime, City of Angels and The Light in the Piazza. Dr. Wenaus is a Principal Coach and Assistant Conductor at the Glimmerglass Festival, and has been a vocal coach for the UpNorth Vocal Institute, the Interlochen Center for the Arts, and the Florence Voice Seminar. At Glimmerglass, he has performed in recitals with Jay Hunter Morris, Nathan Gunn, David Pittsinger, Anthony Roth Costanzo, Marietta Simpson and Peter Volpe. He is the primary pianist for the New Voices Collective, a concert series for Broadway composers and performers at Symphony Space in New York City, where he works with such luminaries as John Kander, Jason Robert Brown, Andrew Lippa, Carolee Carmello, Kate Baldwin, Rebecca Luker, Lauren Kennedy and Brian D'Arcy James. A highlight of his performing career was playing alongside Martin Katz at Carnegie Hall with Sylvia McNair and Sanford Sylvan in a tribute to Isaac Stern.