Justine Aronson, Soprano
Hailed by The New York Times as possessing "a deep reservoir of expressive devices", soprano Justine Aronson’s interpretations have consistently captured the attention of those producing new music, earning her premieres with composers including David Lang, Christopher Cerrone, Daron Hagen and Ted Hearne. Recent and upcoming engagements include appearances with the Los Angeles Philharmonic, On Site Opera (New York, NY), Five Boroughs Music Festival (New York, NY), Carleton College, The Industry (Los Angeles), Eighth Blackbird, Mirror Visions Ensemble, Echo Chamber, Urban Playground and Brooklyn Art Song Society, among others. Record releases include Daron Hagen’s album with the Lyric Fest of Philadelphia on the NAXOS label. Previous season highlights include appearances with the LA Phil’s Green Umbrella series, National Sawdust, Beth Morrison Projects, Opera Philadelphia, Lucerne Festival Academy, Bang on a Can Summer Festival, The Bard Music Festival, The String Orchestra of Brooklyn, and the Metropolitan Opera Guild. www.justinearonson.com
Mireille Asselin, Soprano
A singer deemed “superb” by the Los Angeles Times, and praised by Opera Canada for her “vivacious stage presence” and as a “soprano that charms and brightens a room”, Mireille Asselin enjoys a diverse, international career spanning concert, opera, and recital work. To date, Mireille has sung five seasons at the Metropolitan Opera, where she debuted as Poussette in Manon. She then made waves by jumping in as Adele for opening night of Die Fledermaus under the baton of James Levine, giving a performance that critics raved "stole the show", hailing it as one of New York's "most enchanting" of the season. As a respected performer of early music she appears regularly with Opera Atelier, Boston Early Music Festival, and other period ensembles. She made her European operatic debut in 2014 at the Royal Opera of the Palace of Versailles in Lully's Persée and her Carnegie Hall concert debut in 2012. In the 2018-19 season, Mireille sang with Champs Elysées Theater in Paris (Zerlina, Don Giovanni), Milwaukee Symphony (Handel's Messiah), Caramoor Festival (Venus, Rameau’s Dardanus) and Orchestre de Chambre de Paris (Mozart's Requiem), and returned to Carnegie Hall (Bach’s Christmas Oratorio), Columbus Opera (title role, Monteverdi’s Poppea), and Opera Atelier (Zerlina) in addition to performing extensively with the Mirror Visions Ensemble in recital across North America. Ms. Asselin’s discography includes two projects dedicated to Canadian music - "Inspired by Canada - Notre Pays" with the Amici Chamber Ensemble on Marquis Classics and “Ash Roses” on Centrediscs - as well as Haydn’s Harmoniemesse recorded with the Handel + Haydn Society to be released this year on the CORO label. Ms. Asselin is a graduate of the Canadian Opera Company Studio, Yale University, and the Royal Conservatory of Music. For more info visit www.mireilleasselin.com.
Jesse Blumberg, Baritone
Baritone Jesse Blumberg enjoys a busy schedule of opera, concerts, and recitals, performing repertoire from the Renaissance and Baroque to the 20th and 21st centuries. His performances have included the world premiere of The Grapes of Wrath at Minnesota Opera, Bernstein’s MASS at London’s Royal Festival Hall, various productions with Boston Early Music Festival, and featured roles with Atlanta Opera, Pittsburgh Opera, Opera Atelier, Utah Opera, and Boston Lyric Opera. Recital highlights include appearances with the Marilyn Horne Foundation, New York Festival of Song, and Mirror Visions Ensemble. He has performed major concert works with American Bach Soloists, Los Angeles Master Chorale, Boston Baroque, Oratorio Society of New York, Apollo’s Fire, The Saint Paul Chamber Orchestra, and on Lincoln Center’s American Songbook series. Jesse has been featured on over twenty commercial recordings, including Schubert's Winterreise with pianist Martin Katz and the 2015 Grammy-winning Charpentier Chamber Operas with Boston Early Music Festival. He has been recognized in several competitions, and was awarded Third Prize at the 2008 International Robert Schumann Competition in Zwickau, becoming its first American prizewinner in over thirty years. Jesse holds degrees from the University of Michigan and the University of Cincinnati College-Conservatory of Music, and is also the founding artistic director of Five Boroughs Music Festival in New York City. www.jesseblumberg.com
Mischa Bouvier, Baritone
Baritone Mischa Bouvier has appeared with many leading orchestras and ensembles including Orchestra of St. Luke’s at Stern Auditorium and the New York Live Arts Theater, New York Festival of Song, the Folger Consort, Sting at Disney Hall, Musica Sacra at Lincoln Center, the Princeton Glee Club, the Boston Symphony Orchestra at Tanglewood, El Festival Casals de Puerto Rico, the Five Boroughs Music Festival, the Boston Pops at Symphony Hall, the Metropolis Ensemble, Christopher Williams Dance, TENET Vocal Artists, the Colorado Symphony Orchestra, the New Mexico Symphony Orchestra, Apollo’s Fire, Anonymous 4, Bronx Opera, the Alabama Symphony Orchestra, ACRONYM, the Columbus Symphony Orchestra, Opera in the Heights, Musica Sacra Maastricht, the Stamford Symphony, Mark Morris Dance Group at Seiji Ozawa Hall, the American Bach Soloists, the Lysander Piano Trio, the Sinaloa Symphony Orchestra, and The Knights, and has offered recitals throughout the United States and in Asia. Mischa holds degrees from Boston University and the University of Cincinnati College-Conservatory of Music. www.mischabouvier.com
Gary Chapman, Piano
Pianist Gary Chapman has appeared as soloist with the Hartford and New Haven Symphonies, the Connecticut Orchestra at Summer Music, Eastern Connecticut Symphony, and Orchestra New England. He has also appeared as a collaborative pianist at the Spoleto USA Festival, the 92nd Street Y, Merkin Hall, the National Gallery of Art in Washington, D.C., Yale at Norfolk, the Chamber Music Society at Yale, Music Mountain, the Arizona Friends of Chamber Music in Tuscon, AZ, and in Europe at Wigmore Hall in London, the Salle Cortot and American Embassy in Paris, the Pyramid in Tirane, Albania, and at colleges and universites throughout the US. He has toured with soprano Dawn Upshaw, baritone Richard Lalli, and recorded the companion compact disc with Mr. Lalli for the book, Listening to Classic American Popular Songs, featuring Mr. Chapman's arrangements, published by the Yale University Press.
A pianist noted for his versatility in many genres, Mr. Chapman has performed as guest pianist with Musical Elements and Sequitur in New York, played solo piano and chamber music of Pierre Boulez under the supervision of the composer, and co-commissioned and premiered music by the composer/pianist Roger Kellaway. He remains in demand as a keyboard player in all styles, frequently on synthesizers with national Broadway touring productions. He is also a founding member of Elite Syncopation, a group devoted to the performance of ragtime and early jazz. Mr. Chapman's orchestral arrangements of the music of the Gershwins were featured in Pardon My English: a Portrait of the Gershwins, performed by Orchestra New England with Mr. Chapman as piano soloist/arranger in March of 2007. He is the co-director of the music series, Sundays in the Parlor at Park, and appears frequently at the Hop River Chamber Music Festival where he currently serves as Program Director. Mr. Chapman studied piano with Paul Jacobs, Nadia Boulanger, Virginia-Gene Rittenhouse, and composition with Arnold Franchetti. He has recorded for the CRS and Centaur labels. Originally from East Lyme, he is a 1977 graduate of the Hartt School and lives in Norwich. He is also a proud member of the Mohegan Tribe.
Alan Darling, Piano
Scottish pianist Alan Darling has performed recitals throughout Europe, Canada, and the United States, collaborating with artists such as Jamie Barton, Nicole Cabell, Christiane Karg, Brandon Jovanovich, Amanda Majeski, Susanna Phillips, Matthew Polenzani, Samuel Ramey, and Amber Wagner. From 1993-200, he performed more than fifty song recitals at Ravinia’s Steans Musical Institute. Mr. Darling has premiered new works for voice and piano by Christopher Berg, Tom Cipullo, Russell Platt, and Scott Wheeler with the Mirror Visions Ensemble. He is the founder of the ensemble (no tiny birds), a group that is dedicated to re-thinking the presentation of art song recitals. He was an assistant conductor at Lyric Opera of Chicago for several seasons and worked closely with Maestro Bruno Bartoletti and Sir Andrew Davis. Mr. Darling taught at Yale University from 1993 to 1998 and is currently on the faculty at Northwestern University, where he is principal opera coach and teaches classes in American, English, French, German, Italian, Russia, and Spanish song repertoire. He teaches at Lyric Opera of Chicago’s Ryan Opera Center and is a master coach at San Francisco Opera’s Merola Opera Program.
Margaret Kampmeier, Piano
Pianist Margaret Kampmeier enjoys a varied career as soloist, collaborative artist and educator. Equally fluent in classical and contemporary repertoire, she has concertized and recorded extensively. In addition to Mirror Visions Ensemble, Kampmeier has appeared with the St. Petersburg Chamber Philharmonic, New York Philharmonic Ensembles, Kronos Quartet, Saratoga Chamber Players, Sherman Chamber Ensemble, Richardson Chamber Players, and the Locrian Chamber Players. As orchestral keyboardist, she performs regularly with the Orchestra of St. Luke’s, and is a frequent guest of the New York Philharmonic, American Composers Orchestra and Orpheus Chamber Orchestra. As a recording artist, she can be heard on the Albany, Centaur, CRI, Koch, Nonesuch, and Bridge labels. Kampmeier teaches piano and chamber music at Princeton University, and is currently Chair and Artistic Director of the Contemporary Performance Program at the Manhattan School of Music. She graduated from the Eastman School of Music, where she studied with Barry Snyder. She pursued graduate studies with Gilbert Kalish at SUNY Stony Brook, receiving both Master’s and Doctoral Degrees. A native of Rochester, NY, Ms. Kampmeier resides currently in New York City.
Abigail Levis, Mezzo-Soprano
Mezzo-soprano Abigail Levis is enjoying a flourishing career on opera and concert stages from Berlin to Los Angeles. Featured in a recent Opera News Sound Bites column, her active 2019-20 season includes appearances as Romeo in I Capuletti e i Montecchi in Estonia, Cherubino in Le nozze di Figaro for Florentine Opera, Annio in La clemenza di Tito in Nantes, Orlovsky in Die Fledermaus for Fort Worth Opera, and Mozart’s Requiem for the St. Paul Chamber Orchestra. The Maine native was a member of the Lucerne Opera last season where her roles included Orfeo in Gluck’s opera of that name, Stephano in Gounod’s Roméo et Juliette, and Zerlina in Don Giovanni. Ms. Levis made her debut with Dallas Opera appearing as Flora in La Traviata and for San Francisco’s Opera Parallèle she sang Rose in Heggie’s At the Statue of Venus and Dinah in Bernstein’s Trouble in Tahiti. She appeared with Deutsche Oper Berlin during the 2016-17 season in such roles as Mercedes in Carmen, the title role in Hirsch and Purcell’s Dido, and Tebaldo in Don Carlo. In North America, she sang Messiah with the Toronto Symphony Orchestra and Portland Baroque. In 2016 she appeared as Cherubino for Wolf Trap Opera and sang the role of Sesto in a concert version of Giulio Cesare in Egitto with Symphonie Atlantique (Netherlands). Named “Debut Artist of the Year” by the Joy in Singing Foundation, this exciting young artist was hailed by The New York Times for her “lithe-voiced” performance at the Morgan Library in “First Songs,” a showcase of world premieres with soprano Dawn Upshaw. Passionate about new music, Ms. Levis has worked closely with composers such as John Harbison, John Musto, Elena Langer, Tamzin Elliot, and Brian Suits. www.abigaillevis.com
Scott Murphree, Tenor
Tenor Scott Murphree is a distinguished singer of the concert, recital and opera stage. In addition to specializing in traditional opera repertoire, he has also created roles in several world premieres of operas including Allan Jaffee’s Mary Shelley, Christopher Berg’s Cymbeline, and Tina Davison’s Billy and Zelda. Highlights of recent engagements include performances with Central City Opera, Glimmerglass Opera, Des Moines Metro Opera, Utah Opera, Opera Delaware, Nevada Opera, Orpheus Chamber Orchestra, American Symphony Orchestra, Atlantic Chamber Orchestra, New York Festival of Song, Five Boroughs Music Festival, Carnegie Hall’s Weill Recital Hall, Alice Tully Hall, 92nd Street Y, Walter Reade Theater, Town Hall in Seattle, Eos Orchestra, Sioux City Symphony, Southeast Texas Symphony, Cape May Music Festival, Aspen Music Festival and Pacific Music Festival in Japan. He has worked closely with composers such as Ned Rorem, Ricky Ian Gordon, Robert Beaser and Richard Hundley, and has premiered songs written especially for him by Yehudi Wyner, Tom Cipullo, Richard Pearson Thomas and Christopher Berg. Murphree has served on the voice faculties of the University of Connecticut and the Yale School of Drama and currently serves as an adjunct professor on the voice faculty in the Steinhardt School at New York University. Murphree received his B.M. from the University of North Texas, his M.M. from Yale University, and his D.M.A. from State University of New York at Stony Brook.
Grant Wenaus, Piano
Grant Wenaus, originally from Regina, Canada, is a pianist, vocal coach, conductor and professor. He created the Collaborative Piano Studies program at NYU, where he conducted productions including The Magic Flute, L'enfant et les sortilèges, Dido and Aeneas, Orpheus in the Underworld, The Merry Widow, Ragtime, City of Angels and The Light in the Piazza. Dr. Wenaus is a Principal Coach and Assistant Conductor at the Glimmerglass Festival, and has been a vocal coach for the UpNorth Vocal Institute, the Interlochen Center for the Arts, the Florence Voice Seminar and the College Audition Advantage program at Hartford University. At Glimmerglass, he has performed in recitals with Eric Owens, Jay Hunter Morris, Nathan Gunn, David Pittsinger, Anthony Roth Costanzo, Marietta Simpson and Peter Volpe. He has also been an accompanist for many concerts at Symphony Space in New York City, working with such Broadway luminaries as John Kander, Jason Robert Brown, Andrew Lippa, Carolee Carmello, Kate Baldwin, Rebecca Luker, Julia Murney and Brian D'Arcy James. He is currently on faculty at Montclair State University in New Jersey.